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newManley Manley HP-101

A good headphone mix is essential to a great performance. Along with the typical cue mix or the control room mix, the engineer can offer each musician a fader dedicated to their own instrument and a custom headphone mix in arms reach. This allows the producer to focus on performances because the musicians monitoring needs are met quickly and easily. It also frees up console aux sends so that they may be used for effect sends.
  • Description
  • Features

A good headphone mix is essential to a great performance. Along with the typical cue mix or the control room mix, the engineer can offer each musician a fader dedicated to their own instrument and a custom headphone mix in arms reach. This allows the producer to focus on performances because the musicians’ monitoring needs are met quickly and easily. It also frees up console aux sends so that they may be used for effect sends.

Each HP-101 station has 8x balanced inputs: four mono channels each with their own fader and pan and two stereo feeds with switches providing stereo, mono and SIM setting which monos the bass to make your headphone mix sound like listening to speakers.

Channel one on the HP-101 also includes a phase switch.

The Mute controls offer the options of On, Mute, Left Mute, Right Mute. By muting one channel, if the musician wants to put one can on his head, sound from that speaker won’t be leaking into your overheads
Each station also has bass and treble EQ c…

A good headphone mix is essential to a great performance. Along with the typical cue mix or the control room mix, the engineer can offer each musician a fader dedicated to their own instrument and a custom headphone mix in arms reach. This allows the producer to focus on performances because the musicians’ monitoring needs are met quickly and easily. It also frees up console aux sends so that they may be used for effect sends.

Each HP-101 station has 8x balanced inputs: four mono channels each with their own fader and pan and two stereo feeds with switches providing stereo, mono and SIM setting which monos the bass to make your headphone mix sound like listening to speakers.

Channel one on the HP-101 also includes a phase switch.

The Mute controls offer the options of On, Mute, Left Mute, Right Mute. By muting one channel, if the musician wants to put one can on his head, sound from that speaker won’t be leaking into your overheads
Each station also has bass and treble EQ controls carefully optimised for headphones. The master stereo volume control feeds the built-in power amps which produce peak voltage (equivalent to) well over a hundred watts per channel to drive up to 4 headsets at any volume the musician may choose.

The two features that impress the musicians the most are the easy communication with one button and the fabulous sonic quality even at extreme levels. Ever clever, the ELCO connectors also provide pins used for several other communication and monitoring functions, including TALK and INTERRUPT. The HP-101 by Manley uses comprehensive ELCO multi-connectors wired to ADAT standard and allow for daisy-chaining several units or the to hear the un-switched “always-on” individual station microphone.

The Manley HP-112 is a well thought out headphone mixer, providing musicians with the perfect headphone mix for any session.

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Gear Status

New Gear

Brand

Manley

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£1,450 ex. VAT

£1,740 inc. VAT

Delivery Estimate is less than 7 days

Enquire about this product

Share this product